In ’73, John Hall developed a Rickenbacker humbucker that has a great tone but aside from rare exceptions those were only really seen on the bass-shaped 481 guitar.” “The Hi-gain is fitted to most standard Rickenbacker models today, but their vintage-style guitars feature toasters. They’ve got a fuller, bassier tone, but you can still get the classic Rickenbacker chime out of them. Peter Buck, Johnny Marr and Guy Picciotto have put them to good use over the years. “The Hi-gain pickups were introduced on Rickenbacker guitars in early ’69 and they’re definitely a lot more versatile. It is essentially the same pickup as the toaster, but with increased winding and exposed adjustable polepieces. Rickenbacker realised this and came out with the Hi-gain pickup. “By the late 60s, rock music was getting heavier, and musicians were demanding something else out of their guitars. Nevertheless, Rickenbacker replaced it in ’68 with a new Hi-gain unit with a plastic cover to imitate the original magnets.” 4. “The horseshoe suited basses well because it gave a trebly sound players really liked. introduced the Roger Rossmeisl-designed Capri range and, from that point onwards, toasters became standard on everything aside from basses and steel guitars. “The toaster appeared on the tulip guitars first of all in ’57: the model 400 and twin pickup model 450. It’s not everybody’s cup of tea, but it gave Rickenbacker instruments their unique, inherent sound. “Compared to other pickups it has a fairly low output, but it has that particular chime and jangle we know Rickenbacker for today. “The single coil ’toaster’ pickup was introduced in September ’57 and would soon become a Rickenbacker classic. It’s called a ‘toaster’ because it looks like the top of an old-fashioned chrome toaster viewed from above.
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